Slowly portray the details of things

Many students have a question: Why do I paint something that is too similar? First of all, because you didn't grasp the shape, and secondly, you didn't describe the details.

Let me show you the legendary "infinite details"

First, use the selection to determine the outer contour of the wood and determine the inherent color within the selection.

Use the selection to separate the black and white three blocks.

Use the selection to cut out the main broken details of the wood.

Use the brush tool to further characterize the texture of the wood.

This step considers the environmental color and the historical changes of the wood itself, where the place will be black, and where there will be moss, etc., its color will also change.

Further in-depth portrayal, adding some small fresh blood stains at the same time to enrich the details of the texture.

The last step is to strengthen the edge contour, break the original regular rhythm, and nail the nails on the board.

Silhouette outlines are the most important.

So, are you interested in slowly drawing down the details of the same thing?

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