Although Ming-style furniture and Qing-style furniture have a heritage relationship, because of the different backgrounds of the two, there is a clear distinction between the shape and the focus of the materials. As far as materials are concerned, Ming-style hardwood furniture mostly uses light-colored wood such as huanghuali wood and chicken wing wood as the main carrier, while clear-type hardwood furniture uses dark materials such as rosewood and mahogany. As for the distinction between styling, it is more obvious. In a nutshell, the Ming-style furniture has a scientific structure, a beautiful curve, a stretch of atmosphere, and a simple decoration. The Qing-style furniture is mostly luxurious and majestic, rich in decoration, and in many forms, and the materials are widely used.
Although Ming-style furniture was developed on the basis of Song and Yuan furniture, the Ming-style furniture is scientific in structure, comfortable and ergonomic; sleek and stretched, paying attention to the natural color and texture of the material; simple decoration and modern The aesthetic law is the same. Therefore, Ming style furniture is the peak of the history of Chinese ancient furniture development, representing the maturity of Chinese furniture and the most classical furniture with Chinese characteristics.
The evaluation of the artistic achievements of Qing style furniture has always been a major controversy. In summary, there are three types:
The first is that in the history of China, Ming style furniture pursues a rhythm of character, high taste, elegant style, and literary temperament, which is the peak of art. In contrast, the Qing style furniture changed from a heavy state to a heavy form, trying to win by pursuing a form change, and the artistic style is inferior to the Ming style furniture. Moreover, the methods used in the pursuit of formal changes in Qing style furniture, including components and shapes, carving patterns, decorative techniques, etc., have long been used in ancient bronzes, ancient jade articles and various traditional Chinese art, but It is transplanted onto furniture, which belongs to plagiarism and imitation. There is not much innovation in itself, and some have the disadvantages of hard-working. This view holds that Qing style furniture is generally failed and has few merits.
The second is that the Qing style furniture produced under certain historical and social conditions has its own characteristics and achievements. As a practical decorative art of “realistic†style, there is no lack of research and reference. As far as single-piece furniture is concerned, there are successes and failures that cannot be generalized. Based on this, Qing style furniture can be roughly divided into three categories: the first category is successful, mostly Kangxi to Qianlong early products; the second category is too complicated decoration, mostly produced in the middle and late Qianlong; the third category is The style is vulgar and poor, mostly made in the late Qing Dynasty.
The third is that different forms of artistic style should be judged at different points of view. Qing style furniture is the same as the "classical" category of court furniture from 17 to 19th centuries in some European countries. It embodies a magnificent and luxurious style. As two kinds of works of art that are fundamentally different, Qing style furniture and Ming style furniture cannot and should not be simply compared. The research and evaluation of Qing style furniture should be freed from the existing model, and it should be re-examined as a unique art form and given an objective and appropriate evaluation.
The above three views reflect different points of view and different aesthetic tastes. The first point of view is obviously overkill. Regardless of how the Qing style furniture is evaluated in general, in terms of individuality, it is also necessary to distinguish between superior, general and poor levels through mutual comparison. The failure of a piece of Qing style furniture does not weaken the artistic value of the entire Qing style furniture "gorgeous but not excessive, rich and unconventional, dignified and not staying, heavy and not stupid, fresh and not bizarre".
As a product of a specific historical period, Ming and Qing furniture can be described as different. We should not deny the elegance of Qing style furniture because of the simplicity of Ming style furniture; nor should we overestimate the simplicity of low-grade furniture because of the magnificence of Qing style furniture. On the contrary, the two should be regarded as a miracle in the history of the development of ancient Chinese furniture. They all made their due contributions to the splendid culture of Chinese ancient furniture in their own unique way. It can be said that "Yan thin ring fat" does not lose the fragrance of the country.
Brighten up your children`s rainy days with the Hyades Auto Open Umbrella. With vibrant coloured panels and a curved handle ideally sized for those small hands, this umbrella is sure to be a winner in the kid's eyes. The umbrella features an easy push button auto open keeping those tiny fingers pinch-free!
Our Kids umbrellas are designed with small children in mind in that they are smaller in size than the regular adult variety. Small sized umbrellas with smaller handles are more comfortable for small children to use with their tiny hands. They can feel independent, opening their own umbrella when the need arises and then stowing the umbrella away when it is not in use. At Hyades, we feature a myriad of designs that will appeal to children of all ages. With a wide range of prints to choose from, the child can surely find the perfect one that meets his or her unique preference. Whether your little costumer adores animals, laces, or particular cartoon characters, there is always an umbrella design available with features any of these popular print options.
Kids Auto Open Umbrella,Children Automatic Umbrella,Cute Auto Open Umbrella,Custom Auto Open Umbrella
Hyades Umbrella Co., Ltd. , https://www.hyadesumbrella.com